My Year in Books 2014

The following is a list of the books I have read this year. You can see what I thought in more detail on my Goodreads page, or feel free to ask me. Each is a clickable link to where you can buy the book (if available). Each year I challenge myself to read a certain number of books. This year it was forty-five.

2014

The Best of Hammer & Bolter: Volume 1 – Edited by Christian Dunn

The Iron Man – by Ted Hughes

A Study in Scarlet – by Arthur Conan Doyle

The Black Library Anthology 2013/14 – by Graham McNeill et al.

Flowers for Algernon – by Daniel Keyes

Zen in the Art of Writing – by Ray Bradbury

Gone Girl – by Gillian Flynn

Scars – by Chris Wraight

Countdown – by Robert Orci

Guardians of the Galaxy, Volume 1: Legacy – by Dan Abnett

A Storm of Swords: Blood and Gold – by George R.R. Martin

Knights of the Imperium – by Graham McNeil

War Horse – by Michael Morpurgo

Vengeful Spirit – by Graham McNeil

Secret Invasion: The Infiltration – by Brian Michael Bendis

Slaughterhouse Five – by Kurt Vonnegut

The Last Fighting Tommy – by Richard Van Emden

A Feast for Crows – by George R.R. Martin

Ravenlord – by Gav Thorpe

Sedition’s Gate – by Nick Kyme et al.

Before they are Hanged – by Joe Abercrombie

Last Argument of Kings – by Joe Abercrombie

Secret Invasion – by Brian Michael Bendis

War of Kings: Road to the War of Kings – by Dan Abnett

Elantris – by Brandon Sanderson

The Damnation of Pythos – by David Annandale

Save the Cat! – by Blake Synder

The Purge – Anthony Reynolds

Half a King – by Joe Abercrombie

Guardians of the Galaxy, Volume 2: War of Kings Book 1 – by Dan Abnett

Deathwatch: Xenos Hunters – Edited by Christian Dunn

Mockingjay – by Suzanne Collins

Writing for Comics and Graphic Novels – by Peter David

Ecko Rising – by Danie Ware

Traitor’s Gorge – by Mike Lee

The Best of Hammer & Bolter: Volume 2 – Edited by Christian Dunn

Death of Integrity – by Guy Haley

Space Marines: Angels of Death – Edited by Graeme Lyon

Death and Defiance – by Nick Kyme et al.

All Quiet of the Western Front – by Erich Maria Remarque

Renegades of the Dark Millennium – by Aaron Dembski-Bowden et al.

The Shadow of War – by Stewart Binns

Legacies of Betrayal – Edited by Laurie Goulding

1914: Poetry Remembers – Edited by Carol Ann Duffy

Homecoming – by Christie Golden

Birdsong – by Sebastian Faulks

The Seventh Serpent – by Graham McNeill

The Handmaid’s Tale – by Margaret Atwood

 

I’m also currently reading Lord of Chaos by Robert Jordan. It’s an epic book and I won’t manage to finish it this year, especially if the previous five in the series are anything to go by. I’m reading it because I’m more curious how the story ends than anything else. A classic example of a better world-builder/story writer than engaging writer, but I hear he gets better…the Brandon Sanderson took over.

Thanks for reading.

Fear of Failure

Fear is one of the biggest obstacles to overcome when you want to do something. You may disagree, but it’s true, whether it’s conscious or subconscious. (It took me a few minutes to come up with that opening line for fear or getting it wrong).

As I sat here this morning, wanting to write and finding myself constantly distracted I came back to this idea. Every time we try to do something hard, or challenging, we as humans often try and find something else to do in its stead. Take for example, this very blog post. I really should be writing my novel, but instead I thought I would share my infinite wisdom with you, whether you like it or not.

We often don’t attempt things because we are scared of failing at them. Throughout our education, we’re warned off by failure, rather than encouraged by success. As such, there seems to be a general consensus that “If you don’t try, you can’t fail.” Which does seem somewhat backward, but it’s definitely out there. I often don’t blog because I’m scared that people might disagree with what I have to say, or probably more accurately, that no one will read it. Low blog stats or the most depressing thing for a writer. (Okay, maybe not the most depressing! But it still sucks.)

I don’t suffer from writer’s block, I suffer from fear. When I sit down to write, what stops me isn’t not knowing what to write (though my brain often tries to convince me that’s true.) I always outline my stories and know where they are going. It’s to do with the fact that I’m worried that it will be crap.

This all reminds me of a panel I went to at a convention, entitled “Fear and Writing” (Or something along those lines). It was hosted by Emma Newman (@emapocalyptic), who I believe was a teacher. One sentence she said then has stuck with me ever since: “Give yourself permission to write shit.” Which is probably one of the most important pieces of advice a writer can receive.

It’s okay to write crap, you can improve it. You can’t improve what isn’t there, no matter how awesome it might be in your head.

There are two types of writers “pantsers” (see: flying by the seat of your pants) or outliners. Both work fine if you can convince yourself to write and just write, then come back and edit it later, polishing it until it is as good as it deserves to be.

I do know of writers who “close edit” while they write, which is fine. It works for them, and they have learnt how to work that way in what I can only assume is a pretty exhausting and time consuming manner.

However if you find yourself sitting in front of a blank screen, convinced that you don’t know where the story goes. “Give yourself permission to write shit”. I dare say once you’ve got that first draft it will be better than you expected. Besides, you can always get out that red pen and start turning it into the masterpiece you envisaged.

I’ll leave you with an analogy. I always like to use sculpture as a defining point of art: A sculptor can chip away at stone and make a fantastic piece of art, but he can’t sculpt if he doesn’t have any stone.

Now I really should get back to writing that novel, huh?

Thanks for reading!

I’ve been busy, write?

Well, look at that, it’s been ages since I made a blog post. I don’t really have any excuses except for that one that everyone always has ‘I’ve been busy’. Well, I have, but I really should have updated this blog more. I guess another reason that I had no updates is because I had no writing exercises to post from my masters course as the first year has now come to an end.

I spent most of May being very busy, coming towards the end of the first year of the course. As part of Liverpool’s ‘Writing on the Wall’ literary festival, they held a ‘Pulp Idol competition’, and I was encouraged to enter by the Master’s course leader. It was a completely nerve-wracking experience. I may stand up in front of a group and talk on a daily basis, but when it comes to reading out my own work it’s completely different. No matter how much I tried to convince myself I would be okay and it wasn’t too different to lecturing, I still got nervous. In the end I think it went quite well, I got up, read well and, I believe, answered the questions from the panel of judges well, but unfortunately I didn’t make it through. In fact, no one that had entered that heat from my class got through, which is disappointing. I did continue to follow the rest of the competition, going to the next heat and final, and I was pleased when my good friend Rob Knipe came runner up in the competition. Look out for his name as he’s now in contact with some agents and with any luck there will be some well written, hilarious sci fi and fantasy books coming to your shelves soon.

The rest of may I spent frantically trying to get ready for the end of the first year of the course. As per usual we had an assignment due. I used mine as an excuse to get the first part of a novel I am writing about the Great War done. It was a great idea at first, a hugely rich period of time and I definitely feel I have a story to tell (more about that in the future. I don’t want to give too much away now do I?), but I was somewhat naive to the sheer amount of research I would need to do. Of course I was aware of the fact of research and I had already been reading about the subject before I had the idea for the novel, but when I wrote something I had to make sure it was correct. The first scene is also set in Liverpool before the war, so I had to make sure that the feel and surroundings were correct. Everything I read unearthed more questions and more lines of research, and as usual with research it grew larger and larger over time. Thankfully I was able to get a edited draft in, and it’s in a state I’m quite happy with. It’s no means perfect, and there will definitely be some factual errors that till need ironing out, but it’s a start and I feel it’s quite compelling. Hopefully it will see the light of day.

So what else have I been doing that has kept me so busy? Well, amongst all that I was learning to drive. I had taken two tests when I was 18, but the examiners in Eastbourne, where I lived at the time, were the most grumpy people I have ever met (which is saying something for Eastbourne) and I failed them both for silly little reasons. So I gave up until now. I had forgotten how much time it took up, not just physically, but also mentally. Anyone that says it’s just two hours a week is underestimating. I may have had one hour lessons the first time, I can’t exactly remember, but two hours are intense. I had to repass the theory test, so that required preparation and the closer I got to the practical test the more nervous I became, and the less I could concentrate on anything else. Thankfully, on the 5th June I passed and I now sit here with a shiny pink driving licence (now to get a car…). But I have to make a note, I couldn’t have done it without the excellent tuition of Autonomy Driving School. If you’re learning near Liverpool then I thoroughly recommend Jan.

After passing, I then spent the entirety of the week, when not at work, recording guitars for the Lazarus Syndrome album. I’m a bit behind on this as everyone else (bar the vocals) has done their part. But, I’ve been busy, right? We all could do with a few more hours in the day. If you want more info on that check us out on Facebook.

So, that’s what I’ve been up to. I hope to have more updates for you soon. I’m currently waiting on someone to get in touch with me on a very important project, but I can’t really talk about that yet. I’m off to write…

Thanks for reading.

Dickens in Space

I’m ill.

I’m supposed to be editing a second draft of a story due to its deadline being on Saturday, but I can’t concentrate. So, I thought the best writing I could do in this state is to tell you about something I did in class last week. I also just wrote this once and Google Chrome, in its infinite wisdom, decided to quit. So here is attempt number two. Probably quite apt, as I’m sure what I typed before was better.

In class last week we analysed a piece of prose in a group, discussing everything we could think of from sentence structure and rhythm to semantic feel and the metaphors used. At the time we didn’t know who our piece of prose was written by, but after our lecturer suggested we read it out loud, I noted it reminded me of the start of a Dickensian film where there is narration and the camera is zooming into the scene. The piece was actually the beginning of Dombey and Son by – you guessed it! – Charles of the Dickens clan. It raised an interesting point, Dickens actually made more money from reading his work than from writing. So, if you struggle reading his work, try reading it aloud, or try and audio book. It makes an interesting difference, particularly to rhythm and pacing.

As homework from this we were tasked with taking a scene we had written and writing a pastiche. In basic terms, every story has a scene, but stories vary in style, so we had to take a scene and write it in the style of the author we analysed; Charles Dickens. It was one of the hardest things I have had to write so far. Thankfully I have read Dickens (I hadn’t read any of the others the other groups looked at), but I have a very contemporary style, that is influenced heavily by modern science fiction. This led to the title of this blog as myself and the other members of my group (all science fiction and fantasy writers) shared our pieces. I suggested Rob should turn his (excellent) piece into Dickens in Space using his usual hilarious comedy stylings. So keep an eye out for that one!

I don’t feel my piece was as good as the others, but I tried none the less. What follows is a scene written for the story I mentioned earlier, re-written in the style of Charles Dickens. Be prepared to laugh, to cry and the throw your computer out of the window in disgust! Without further ado (What is ado?) I give you Endaris by Michael J. (Dickens)

Endaris in the style of Dickens

Michael J. Hollows

The royal court, home to the godly, powerful, and undying king, sat in the heart of Endaris; where the houses lined the city in rows, short, thin, and narrow, like precessions of match sticks, although the inhabitants seldom matched; great grass courtyards grew in splendid colours, like the grasping tendrils of the forest that lay to the south, but controlled and trimmed, synonymous with the populace of the city. Those in power lived in mansions, around the houses, housing the round. They longed for the decorative comfort of indoors, past shuttered doors, and jealous stares.

One such man was Rao, the councillor of councillors, and he shut the door behind him, the door that resembled a wooden face. The hallway was closed-in, like a burial chamber, and claustrophobic in its likeness; where the surfaces were covered in blood, but not the blood of men, rather, merely the suggestion that blood had, could, or would be spilt, as the flickering candle of illumination cast its red-orange hue on the stone steps that led, threateningly, up towards the audience chamber, like the steps of a throne, towering above lesser men. Rao ascended the steps, though his heavy heart passed the other way, ever towards the audience and his doom, through blood-casting candles, and through rooms filled with judging portraits, he continued, forever up.

In the court, the room overflowing with people, like a lake in midwinter, water rushing away, free to its path, his erstwhile colleagues, less erstwhile than colleagues, laughed and joked at Rao’s expense, but he would have the last laugh.

Once again, thanks for reading and I hope you enjoyed!

Lest We Forget…

I haven’t made a blog post in a couple of weeks, for two reasons. I haven’t had a writing workshop on my course. We have been looking at other things. Also, I have been quite busy writing stuff that I can’t post on here. One of which was a submission to Black Library.

So, I thought, given the importance of the date, that I would post a flash fiction piece I wrote for a magazine which never saw the light of day. I don’t believe it needs any introduction or any comment on setting from me.

The Day

by Michael J. Hollows

The noise grew to a cacophony as it had done each time before, wailing like sirens before finishing in a calamitous bang. British artillery shells fell in the distance, throwing up great clods of dirt that could be seen from the British army’s position. Each shell whined overhead, causing the assembled men to flinch and duck instinctively each time, despite the distance. It was always the same, the noise. Each time the commanders decided to try and pummel the Bosch into the ground, the boys at the back would aim their cannons and the shells would fly. The sound of massed artillery was not easily forgotten. But they had been through it before, countless times, to get to where they were today. It didn’t make it any less uncomfortable though.

Private Gerald Harlow ducked again as he heard the wash of another shell go overhead. He cursed as his foot slipped off the boarding and threw mud up his fatigues. The mud added to the wetness around his ankles as he placed his sodden boot back on the boarding with a squelch. He looked at the men lined up either side of him, they were all soaked through. Gerald had run out of fresh socks weeks ago, he had even forgotten what dry feet felt like. His comrades likened this place to hell, but at least hell is supposed to be warm, he thought bitterly.

The dull crump of the artillery added to the misery as Gerald surveyed his surroundings once more, trying to warm himself up. The equally miserable men around him were all of similar age. Young men gone from their homes to fight in the British Expeditionary Force. Many of them had had no other choice, no prospects. Some had chosen it. But Gerry, as the others called him, had enlisted underage to get away from his home; to get away from a difficult life. His family were poor and aging, few were left. Only his sister had managed to make any money for herself by marrying in to a somewhat wealthy family. If he had stayed at home, he would have been living in poverty now, the army had given him a way out. Looking around, it didn’t seem like such a good idea now.

The captain was moving along the line of men, swagger stick under his arm, whistle held lightly in the other hand. He was a good man, as he passed each soldier he offered words of encouragement and a brief smile. As Gerald knew from experience this was a rarity in the army. The man also reminded him of home, whether it was the comforting Hampshire accent, or the body language that reminded him so much of his late father, he couldn’t quite tell. A note in his diary that morning, that had also been transcribed as a letter waiting to head home, said as much.

Today was the first of July, 1916 and the letter had told his elderly mother about his experiences in the army at great length and about the men he had met. He had ended it with the line, “Today is the day, today I become a man.” After writing it he had thrown up into a latrine and headed out on duty. Several hours later he found himself standing where he stood now, with his sodden boots and the deafening sounds of artillery.

The squelch of footfalls preceded the Captain reaching his position. As with all the others, he stopped briefly, putting a hand to Gerald’s arm and with a commanding tone so easy to him he said, “Are you ready, son?”

Naturally, Gerald swallowed nervously and deeply, before raising his head to look his Captain in the eyes. He struggled to control his nerves and his hands were shaking gently by his sides, but he managed a curt nod. The Captain smiled knowingly and moved on, removing his hand from the Private’s arm. An odd sense of relief flashed through Gerald, before he remembered the oncoming battle and his stomach fell again.

He hadn’t noticed the absence of sound, but it seemed strange now. He had grown almost familiar with the noise of the artillery barrage and had somehow phased it out of conscious thought. Now it was gone however, its absence was far more obvious and somehow disturbing. The cessation of the bombardment meant only one thing and Gerald swallowed deeply again while he shuffled his feet.

The Captain turned on his heel and looked along the line of his men. Breathing deeply he bellowed, “This is it, lads. The big push, get rea-“

His call was interrupted by a series of dull explosions nearby, which made Gerald’s stomach lurch and almost tipped him forward where he stood.

Unperturbed the Captain continued his speech, “That’s the mines, men. Now when you go over the top Fritz will be reeling so much you can walk all the way without seeing a single one alive! See you there! Ready?”

Gerald heard his Captain’s words and felt reassured by them, surely a man of his experience knew exactly what he was talking about and as the Captain put the whistle to his mouth the Private felt an immense sense of pride. He was finally a man.

The sound of whistles broke out all along the trench as the officers signalled their men to battle and they were soon joined by the shouts of the soldiers, roaring at the top of their voices.

Gerald added his own voice to the chorus, screaming until his lungs burnt with the exertion. Without another thought he followed his comrades up the ladder, placing his foot on the bottom rung and propelling himself into no man’s land.

Continue reading “Lest We Forget…”

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