science fiction – M.J. Hollows/Michael J. Hollows

Review – Ninefox Gambit by Yoon Ha Lee

I am trying to work my way through the Arthur C. Clarke award and Hugo award Shortlists before their award ceremonies at the end of this month and the start of next respectively. It’s quite a task, and I’m already a little bit behind. I will probably never get through them in time, which is a shame as I am entitled to vote for the Hugo, but it is a noble effort.

As I’m trying to do some reviews, both to get my mind in PhD setting, and to provide some content for this website, the best thing to do is review these as I go along.

I’m sure I will return to posting about writing and some writing advice soon.

For this week I thought I would talk about Ninefox Gambit by Yoon Ha Lee, published by Solaris. I’ve seen this posted everywhere on social media, and it has quite a striking cover, so I’ve wanted to read it for a while. It was handy that it happens to be on both the Arthur C. Clarke and Hugo shortlists.

The first thing I noticed is that the opening is quite clumsy and there is a lot of exposition, trying to bring the reader into the world immediately. Exposition is a necessary and often important trope of science fiction, but it has to be done properly. It felt like reading a history text book for this particular world. I almost didn’t continue, it was that hard going. However, I’m someone that has to get to the end of the story whether I want to or not. My friend, and fellow writer, Reece has a 50 page limit where if it doesn’t catch him within the first 50 pages he moves onto another book. I’m 99% sure he would not have read past 50 pages for Ninefox Gambit, but I’m kinda happy I did.

While the description is nice the sense of being in the midst of a battle isn’t there. The character has time to stop and tell us about the different calendars and formations that their people use, but it makes it feel like there is a real disconnect between the action and description. There’s a lot of tell, but not so much show. The only description we get of the enemy that they’re fighting is that they are like the main character’s species, but alien. Not all that helpful, or really mental-image forming. It’s clear it’s a well thought-out world, but the technique isn’t great for getting that across to the reader.

I found the rhythm of the prose a bit jarring as almost every sentence had an interjection. “Nothing he kept in the office would intimidate Kujen, anyway, not the paintings of ninefoxes with their staring tails, not the lack of visible weapons, or the pattern-stones board with its halfway game, or the randomly selected images of still life.” I understand trying to have a narrative voice, but this isn’t one that’s particularly easy to enjoy. However, once the exposition is largely out of the way we start to see more of the character.

It could have started from chapter 3 as this is where the character and setting really start to come out and blossom into something that the reader can engage with. There is still some info-dumping, in an almost autistic way (I’m not sure how the reader is supposed to remember all the different signifiers), but it is much more from the character’s point of view, more natural, and the prose feels tighter for it.

In the middle of chapters there are often letters that the heretics send to one another. This are a nice touch, and it’s a decent framing device. It serves to give a lot more context than to the world that the main character is fighting against, and why they are doing what they’re doing. .

The relationship between Cheris (the main character) and Jadeo is by far the most interesting part of the novel, and really what this novel is about. It’s when the main character starts to really become a character rather than just a blank mathematical all-obeying nothing. While the dialogue can be a bit too much at times – chapters are often dialogue between the two without much else happening – it helps place the two characters, or rather give them character.

The fighting bits once the setting finally gets to the fortress (there’s a long and rather unnecessary setup) are good. They portray the common soldier quite well, and they often have more actual character traits, and are more engaging than the main character herself. These sections are much more compelling, and as a reader I want to follow the soldiers and what happens to them. They give a truer understanding of the world. It made me think of this quote by Orson Scott Card:

“Anyone who knows anything about the military will tell you, the commanders of ships and armies don’t have many interesting adventures. They’re mostly […] sending out the orders to the people who do the physically dangerous work.” (Scott Card, 1990)

While I don’t always agree with this point, I think it’s relevant here.

I like the use of flashbacks towards the end of the novel. Without trying to give too much away there is a clever device to it, and they really start to show you Jadeo’s character. The only downside is that it shows again how blank the main character, Cheris. It’s partly the nature of the fact that she belongs to the Kel clan, which as far as I can tell are brainwashed soldier class. However she does have independent thought, but none of it is compelling enough to really care about her.

Then again, the more you read this novel the more it’s about Jadeo than Cheris.

Overall, the novel is an interesting critique of a fascist regime (or perhaps of the author’s Korean background – I don’t know enough about Korea to say for sure), against democracy, but when the regime is so mind bogglingly complex that you don’t understand it, it’s hard to find empathy. (How on earth can technology be based on a Calendar system?!) I’m fairly mathematical, to the point that I can teach it, but this idea just seems bizarre and frustratingly complex.

You may think that I didn’t like the novel, and sure there is a lot that could be improved. I did spend up to page 300 not wanting to read the sequel, but then I read the ending, and I can’t help but feel that this is a set up for a much more interesting sequel.

Perhaps the author has got over the problems of technique and style in the second book, and the clever world and setting will come to the fore. I will be picking it up at some point.

Thanks for reading.

Bibliography

Lee, Y.H. (2016) Ninefox Gambit. Solaris Books.

Scott Card, O (1990) How to Write Science Fiction & Fantasy. Writer’s Digest Books.

Objection and ME

I’m annoyed. Annoyed at myself mainly, but also annoyed at this condition I suffer from. (Last week I published a post about ME, which you can read here.)

As part of my MA in writing I set to writing a World War One novel. There were two main reasons for doing this. The first was that I have always had a love for history, and learning the lessons of the past to contextualise where we are today. As a teenager, I visited the battlefields of the Somme and Ypres. The graves and memorials set off something in me, something that I can only describe as a longing to understand “why”?

The second reason for writing the novel is that I wanted to take myself out of my comfort zone of science fiction and fantasy and take advantage of the advice and guidance available on my Masters.

The more I researched the setting the more I saw how much Liverpool was linked to the war, and how much it was shaped by it. Everything around me held some link to the war. There were also several Liverpool regiments that fought in the bloodiest battlefields of the Great War. There were so many stories that needed to be told. I’d also watched a Sky one show called ‘Chickens’ about the conscientious objectors, those that refused to fight in the First World War, and it struck me that even a hundred years later these people were considered to be cowards. It infuriated me, and I decided to put a conscientious objector in my novel; the soldier’s brother.

Through drafting it became more and more obvious that both brothers had a story to tell, and through their contrasting stories would show the greater horror of The Great War.

I’m annoyed because last May (2016) I finished the full manuscript of the novel. (The first part was heavily edited as part of my portfolio work for my MA), and I was fairly happy to start sending it out to agents.

I’m annoyed because I then got very ill. I had the worst sinus infection I have ever had, and begun to feel like I did before I was first diagnosed with ME. I’ve only recently started to get back on my feet.

I’m annoyed because I’ve been sending it out to agents recently, but I’m worried that they will think I only wrote this novel to ride on the interest and popularity of the centenary of the First World War, which to me was merely a coincidence for the reasons I have mentioned earlier. I’m also worried that because it is already 2017 and a publishing cycle usually takes about two years (or so I believe?), that agents/publishers won’t take a risk because they think that it will miss the centenary of the end of the war, and the resultant interest.

I’m also annoyed because the film Hacksaw Ridge came out of left field and told the story of a ‘conchie’ in the second world war. It’s a different story, as conchies in WWI arguably had to go through a lot more, but it’s still a concern that people may feel this novel was written due to that. (I wish I could write 130,000 words that quickly!)

I hope that someone will pick it up. It was a very important story to write, and an important story to tell. I genuinely believe people will gain something from reading it. It would be a shame for it to sit in my drawer for the rest of my days.

If you know someone who may be interested, or are interested yourself, please get in contact. I will be more than happy to hear from you!

R… r… r… research.

Just a quick one this week, and a new style of topic to keep you updated with.

This trimester I am teaching a module entitled “Research Practice and Society”

Why do we research? For fiction that is quite easy to answer – if I am writing in the real world, even historical fiction I must know how things are, how they work, the realities. Even in Science Fiction I need to know the physical realities so that I don’t break them and bring the reader out of the story – but in other contexts it’s more difficult. I often tell my students that it is the best way to learn something, and I honestly believe it. And, what else is academia for, but to learn?

Anyway, during the course of the module I will be asking my students to write blog posts based on discussions and research they have conducted. When they do that, I plan to do a similar blog post so that we can compare. This week I asked them to plot out a timeline out their module, including deadlines and how they would break down the work. I tried to do something similar, but as I don’t have any real deadlines I failed. Hence this blog post, which is more of an introduction to the concept.

We’ll see how it goes next week.

Book of the Week

I finished the book I was reading last week the day after I published the blog post about it, and I have to be honest, the end didn’t really redeem it.

This week I am reading another Arthur C. Clarke award nominee (I’m actually working through last years nominees and winner), The Book of Phoenix by Nnedi Okorafor.

It’s an interesting concept and quite a short novel, and there are bits that I have enjoyed. However, for the most part the prose doesn’t really interest me, and in some parts I would dare say that it becomes quite annoying. The main character is an accelerated human, who is only a matter of years old, and I suspect that the prose is written to reflect this, but it often comes across as naive and basic. This is especially frustrating when the main character has supposedly read thousands upon thousands of books in her short life, but seems amazed by the smallest detail. She also seems to fixate on food, which isn’t particularly interesting as far as the story goes.

I often find first person writing a struggle to get into. I often feel more distanced from the character, rather than finding myself in this story, and this is one of those examples. I have sixty pages left, and it is enjoyable enough that I will finish it, but I am not wowed by it.

If I were to be pedantic I would describe it as more of a fantasy novel than a science fiction novel, as none of the fantastical things that happen within its pages are explained, nor related to science. (I’m fairly sure the characters even break Newtonian Physics, but we’ll let that slide)

Anyways, I’m sure as in all things other people will enjoy the novel in their own way.

Thanks for reading!

2016 is Dead, long li- Nah, scratch that.

So, I haven’t blogged in quite a while (March last year was the last time – eek!) and a couple of conversations over the past few days have encouraged me to say hello again.

Hello! Thank you for stopping by. I’m hoping to publish a weekly blog on all sort of writing things. This may be a Wednesday, but I’m looking at posting every Monday in future as that works better for me. What day is best for your readers? For now here’s an update of what I’ve been up to.

2016 was an odd year, and a bad year for many reasons (Let’s not talk politics right now!). I spent the second half with the worst sinus infection I have ever had. I haven’t felt that ill since before I was first diagnosed with ME in 1999. From about June I felt constantly exhausted and bunged up. Only now are things starting to clear up and I’m starting to feel like normal. I’m using that as my excuse for not blogging in so long. I wanted to, believe me! During that time I’ve self-referred myself to the local ME therapy clinic, and I’m booked in for some sessions, so I’ll keep you updated on how that goes. (When I was first diagnosed there was nothing like it).

Back in June I also started work on my PhD at Liverpool John Moores University. My thesis is currently “The Affect of the Second World War on Science Fiction”. I aim to keep you updated on it through this blog. At the moment I am plotting the novel and making sure it’s of a PhD standard. I may post some excerpts/updates on research from time to time.

In May, I finished my First World War novel Objection. I’m currently making a spreadsheet of agents that are accepting Historical Fiction submissions. (If you know of anyone, agent or publisher please get in contact!) Then I will begin querying them with the novel. I’ve sent it out to one agent that I know so far, so let’s see how that goes.

As if I didn’t have enough to do, I’m currently toying with the idea of putting my MA Writing and Academic Teaching experience to good use and offering an editing/proofreading service to writers and students. I haven’t had a chance to contextualise it yet, but if you are interesting in some help then please feel free to comment below, or get in touch through my contact page and we can discuss it. I will post something more solid on this soon.

The final thing of this blog is for me to ask you, the reader, what kind of content you would like to read. If you have a particular idea you would like to know my thoughts on, or a particular writing issue that you have, then get in contact and I will try to help in a future blog. Even if you just have a question comment below and if it needs a long answer then I will incorporate it into a future blog. Another interesting question for you is, “how long should a blog be?” How far do you read before you get bored? Answers in the comments below!

One feature I would like to add to the blog is something I am currently calling “Book of the Week”.

Last year I tried to summarise all the books I had read that year with a single blog post. The problem was that I couldn’t remember much of the books I had read earlier in the year. So, from now on I will tell you which book I am currently reading and my thoughts on it. As it may take me more than a week to read some books you will see how my opinion changes throughout reading.

I’m currently about 40 pages from finishing Europe In Autumn by Dave Hutchinson. This book is published by Solaris who are predominantly a Sci Fi publisher, and it was shortlisted for the Arthur C. Clarke award.

Honestly, I can’t see how it made the shortlist. It’s an interesting idea, and a Europe of the future is intriguing. There is some intriguing Le Carréesque espionage plotting, but its main downfall is the vast swathes of info dumping. Info dumping and exposition is a trope of Sci Fi, particularly when a large amount of world-building is involved. However, when you find yourself scan reading, you know something is wrong. As with most novels, I like to persevere till the end (I usually have to know how the story ends, or I get annoyed), but I don’t think I will be recommending this one to anyone. The ending might be enough to save it, but you’ll have to find out next week!

Once again, thanks for reading, and please do comment below.

My Year in Books 2015 (Part 1)

Last year I signed off the year with a list of books that I read in 2014. This year it’s already March and I haven’t got round to doing the same thing yet – okay, nearly the end of March. Well, I’ve been busy since early December putting together the application for my PhD, so as you can imagine I’ve been pretty occupied. All being well, it should now be off to the application panel for approval – fingers crossed.

So, I’ve found a bit of free time to make a post. I’m a bit sad that this is the first one of the year, but I hope to make some more this year. Anything you’d like me to write a post about, tell me in the comments section below. I’m open to suggestions.

I’m still working towards the draft of my World War One novel. It’s so close to being finished now that it’s frustrating, but there were parts of the story that I really wanted to make sure were told, so I had to extend the word count a bit and juggle some things around. It’s going quite well now and I aim to have it finished by the end of the month. (Oh crap, that’s next Thursday!)

On to my 2015 in the form of books then. This time I wanted to add the star rating for each book that I gave it on Goodreads, and perhaps write a little bit about each book. so, bear with me:

Serenity Graphic Novels #1-3 (****)

I started the year with these three graphic novels about everyone’s favourite Whedon show that got cancelled. If, like me, you love the show, then I thoroughly recommend reading them. Joss used them to continue the story in the way he would have like to have done, had they not been cancelled.

Robert Jordan – Lord of Chaos (Wheel of Time #6) (***)

One of the longest series in fantasy seemed to get even longer with this book. I marked improvement on the last book, which was, the only way I can describe it from memory is ‘dull’. But there still seems to be something missing. I’m not normally one to complain about the journey – too many people want to jump to the end as if they don’t enjoy reading (see the Horus Heresy series) – but these books reveal so very little about the characters. Everyone just constantly seems grumpy with everyone else, particularly the women, and we don’t really see much of a character arc. One day I will read the next book and hope it does more for me.

Honour of the Space Marines – Anthology (****)

A nice little collection of Space Marine stories from each chapter.

Andy Weir – The Martian (*****)

I absolutely loved this book! If you haven’t read it yet, then what are you doing? Stop reading this rubbish and get on with it. I thought at first that the epistolary style would be a bit grating for an entire novel, but it really works. Andy Weir’s writing is vey natural, engaging and funny. I’m yet to watch the film, but I hear that’s good too.

Isaac Asimov – The Caves of Steel (****)

What’s there to say about Asimov? I find you either get him or you don’t. I was researching some Sci Fi crime and this fit the bill. An enjoyable read.

Ray Bradbury – The Martian Chronicles (****)

See above. A little too abstract for my taste, but still a good read.

Steve Parker – Deathwatch (****)

Also for research, but the less said about that the better. It was good to see a full story about the Deathwatch Space Marines. Steve is a solid writer, and I never find anything much if at all to be critical about his work.

Neil Gaiman – Neverwhere (*****)

Yes, I’d never read it before. Oh, Neil… the only word I can truly use to describe your work is ‘fantastic’. Hearing him read at the opening of the Liverpool University lectures added to my love of this man’s work. I cannot recommend it enough, but you knew all about it already didn’t you?

That’ll do for now. This has made me want to go off and read.

I will endeavour to post part 2 tomorrow.

Thanks for reading.

New Short Story!

I’ve just had another story published in ‘Drainpipes for Strike Posts’ by Mantic Games, featuring such literary greats as David Guymer, Guy Francis Haley, and that Rob Knipe guy that keeps following me around.

The story is called ‘The Price of Success’, and it’s a suitably grimdark tale about what happens if you get too big for your own boots.

The blurb:

A DreadBall Xtreme Anthology

We’ve all watched pro-wrestling at some point.

Even if we don’t openly admit it, at some point or another we have sat and watched those big, oiled-up men in their costumes and carrying their gimmicks and their ‘steel chairs’, putting each other through the ‘Spanish Announcer’s table’ (why always the poor Spanish?) and whether it’s been a guilty pleasure or just something we’ve happened upon, we’ve all had some flavour of the same thought: ‘It’s all very fake.’

Dig a little deeper, and you will find that in order to get on that oh-so-shiny stage, there is an awful lot of hard work, blood, sweat and tears that goes into getting noticed enough by the big boys. Those TV cameras don’t turn on just anyone. Those wrestlers have to spend years – sometimes decades – working their way up through small, no-name leagues, playing in front of small, excitable crowds of people baying for blood. Yeah, they have a great life when they get to the top, but they have a hell of a slog to get there.

DreadBall is the big leagues – the glamour, the bright lights and the big bucks. The gimmicks and stylised weapons and violence, al seamlessly choreographed to make the best possible show. Sure, people get hurt, but generally between all the safety measures, the best armour that money can buy, and an understanding of the realities of corporate sponsorship, everyone gets to go home with the minimal amount of lasting injuries, as a rule.

Xtreme is what happens in the shadows. A handful of these guys might make it to the big time, but they have to survive first. There are no rules, the sponsors have more important priorities than the personal safety, comfort or breathing status of their players, and armour is either stolen, home-made or passed down – often all three. There’s no cameras, no million cred player deals and definitely no glamour. What there is, is good old-fashioned violence, the way that DreadBall started all those many years ago.

Here we have eight tales from that shadowy underbelly. From enigmatic alien sponsors to good old-fashioned human gangsters. From fresh-faced newbies hungry for their first taste to worn out old-timers just looking for the money, we have it all here for you.

So settle in, and experience the Galaxy’s Greatest Sport the way that it was meant to be played. But remember, this isn’t fake. When these guys, gals and aliens bleed, it’s all for real.

Greg D Smith

You can get the whole anthology for £3.99 on their website. Great as a Christmas present, or you can buy it to wish me a Happy Birthday for tomorrow!

15 Things to Tell a Writer

Okay, so it has been a while since I have added anything to my blog post.

I have been busy working on my first novel, which is also my portfolio for my masters degree. I thought I would have a break and update my blog. This blog post has been sat in my drafts folder for a while, so I guess point number 1 should really be ‘finish things.’

The last session we had on the masters was a visit from the lovley Jenn Ashworth. One of the things she talked about is her ’15 things to tell a novelist’, which I found quite interesting. Some of the points were things I probably take for granted, but it was nice to see them written down and they are often things that as a writer you forget.

It was mentioned that we could write our own list of 15 things, and I thought that it might be a nice idea. There are some things that I have come across and/or struggled with in my writing that it may help other writers to see. I’ve not called this a 15 things for novelist as I also write short stories and I think the disciplines apply to all types of story whether prose or otherwise. This list is in no way a rulebook, but merely some thoughts that might help you to either produce more, or better work.

Here is the list, in no particular order.

1. Plan your Work.

There are two main writer paradigms, the ‘planners’ and the ‘seats-of-pantsers’, and either method is fine, but I think in any story there will come a point where the writer needs to know where they are going. This could be a fully outlined synopsis, or chapter breakdown, or by simply researching and knowing your world well enough to wing it. Synopsis have definitely helped me when I’ve got stuck with a story, even if they are the devil to write.

2. Know your Characters

I think that in order to qualify the names you have written in your work as characters then they need to have a backstory. You need to know as much about them as possible. That way when you write them, you will a) know where they are going, and b) give your readers something to care about. It doesn’t need to be a character-driven story, but the reader wants someone they can invest in.

3. Don’t be a Slave to your World-Building

Along the same lines as character backstory, world-building is important. In some genres more than others. But if you do create your own world, as much as you should know everything about it, it is there to serve the story, not the other way around. Don’t let what you want the world to be hold you back in writing the story you want to write. The latter is always more important.

4. Don’t Edit as you go Along

One of the biggest ‘mistakes’ a new writer can make is to try editing as they go along. I even tell this to my academic writing students. Get to the required word count (or end of scene/chapter is probably fine) and then go back and edit it. Otherwise you will spend hours berating yourself over one sentence and never getting anything finished. You may have one perfect sentence, but a sentence does not a story make.

5. Always Show your Writing to Someone Else

One of the main things we learnt on the masters was to be less precious about our work. We were all writing for it to be read, but even then it was a struggle to give it to someone else. One of the most valuable parts of the masters was the workshops we regularly engaged in, and we still meet as much as possible to carry them on outside the course. A reader can tell you things about your work that you take for granted, or simply miss. It may require having a thick skin, but it will definitely improve your work.

6. Set Yourself Targets

Writing regularly is an absolute must if you are serious about writing. Of all the advice I got from published writers when I was starting out that was what they all said, without exception. Obviously, the day job and other commitments can get in the way and things like family always come first. However, if you can set yourself targets then this can ease the pressure. I have a daily word count that I need to meet, which varies depending on the project. Others I know have a monthly word count, or simply set themselves a deadline for having something finished. This allows you to add an element of professionalism even before you have been published, or have a book deal. It will be important then.

7. Allow Yourself to Write Crap

I guess this sits with my ‘not editing as you write’ point, but one of the most difficult things to do as a writer is not worry about the writing. I honestly believe the best way is to turn your internal editor off and get the words down on the page. An analogy that I always use with my writing students is ‘a sculptor cannot sculpt without stone to chip away at, and a writer can not make good work without the words in place.’ I once went to a seminar on ‘Fear and Writing’ with the excellent Kim Newman and the one thing she said that has stuck with me is ‘Give yourself permission to write shit. The first draft is always shit, but you can improve it.’ Excellent advice.

8. Draft and Redraft

Never hand in your first draft for anything. For most editors – and I find the same in an academic setting – a first draft is very obvious. Often you need the first draft to get the story on the page and then use it to figure out your POV, key themes and subplots, to name a few. At the very least you should read it through once and make any obvious edits. I’m not talking spelling and grammar mistakes, everyone makes typos, but glaring story problems, etc.

9. Read Aloud

When I’m reading through a draft I find it immensely useful to read the work aloud to myself. I can’t remember who first told my this tip, but it has been useful to get things like dialogue right. Feel free to put on accents, but simply reading the words aloud helps you to see if the dialogue is wooden or unnatural. I also find that if you stumble over a sentence, or have to read it twice then that highlights that there is something wrong with that sentence and it needs a fix. This obviously can be difficult if you live with other people, but if you are serious about writing then I am sure they will understand. I often have conversations with myself to test dialogue. I’m not mad, honest…

10. Know your POV

One of the most distracting things for a reader is when they don’t know who is telling them the story, or is the prose is confused. This can often be caused by the writer not really knowing what POV (point of view if you don’t know the term) they are trying to employ. Third person past tense is very common these days, but that doesn’t mean you can’t write it in another style. Just make sure you know how you are trying to write it and stick to the same narrator and tense. That way the reader can get inside the characters head, or follow the story in the way you intended. It can also help you avoid story mistakes.

11. Think about the Function of each Scene/Chapter

Yes, fiction should be fun to read and that is the most important part. But to have a truly effective and fun story the reader needs to know why they are reading. We could talk about character development, arcs and such things, but it can be simpler than that. What is this scene doing? Is it designed to show us the character’s motivation? Is it simply setting out the world? Thinking about it lets you know what you need to include and what is unnecessary information. It will make the writing stronger and more focussed, not to mention fun.

12. Keep Reading

Never stop reading. Well, okay you can go have a wash, books get wet in the shower, yes, but you should always have a book on the go. A writer can learn so much from their peers. If you want to write Science Fiction see what other writers are doing and how they tackle issues. If you want to write historical fiction see how other writers get across the setting and dialogue. See what works and what doesn’t work. Even if you are reading ‘just for fun’, you are always learning. It can be worth trying to pinpoint why you really enjoyed a book, or what it was that meant you put that book down after fifty pages.

13. Don’t take all Feedback as Gospel

At the beginning I stated that these are in no way, shape, or form a list of rules. Find what works for you. If you show your work to others don’t always make the changes that they suggest. Learn to way the good and bad suggestions and edits. The more people you show it to the easier this will be, but there will always be subjective stuff that others don’t like. Be true to the story you are trying to tell, but take on board suggestions and see if you can compromise. If a few people are giving you the same feedback, then maybe you really should delete that needless sex scene…maybe.

14. Research is Key

You might think that certain genres of fiction require more research than others, but that’s not really the case. Readers of science fiction are just as particular as historians, or readers of historical fiction. If you have sound in space then someone is likely to put down your book and go read something else. Research is absolutely key, and it helps you to build a true world, whether it is fantastical or not. It helps make the characters more than just pronouns you have moved around on a page, but actual characters.

15. Always Backup

Almost two years ago I had my Macbook stolen at work. On this laptop was over 15,000 words of un-backed up writing. You can imagine how devastated I was. Sufficed to say, I am yet to return to those stories because I can’t bring myself to realise the loss. The most annoying things is that even then I used a word processor called ‘Scrivener’, that can automatically backup to dropbox. Only, I had not ‘got round’ to setting it up yet. Now I have and every single word I type on my laptop, or my iPad is automatically saved there, as well as a cloud storage device I have at home. Don’t make the same mistake I did.

(I almost lost this blog post because my internet connection keeps dropping on my Mac and I hadn’t realised when I clicked ‘publish’.)

Well I hope some of these rules help you, feel free to comment with your own suggestions, or maybe make your own list. I would love to read it!

Thanks for reading.

Fear of Failure

Fear is one of the biggest obstacles to overcome when you want to do something. You may disagree, but it’s true, whether it’s conscious or subconscious. (It took me a few minutes to come up with that opening line for fear or getting it wrong).

As I sat here this morning, wanting to write and finding myself constantly distracted I came back to this idea. Every time we try to do something hard, or challenging, we as humans often try and find something else to do in its stead. Take for example, this very blog post. I really should be writing my novel, but instead I thought I would share my infinite wisdom with you, whether you like it or not.

We often don’t attempt things because we are scared of failing at them. Throughout our education, we’re warned off by failure, rather than encouraged by success. As such, there seems to be a general consensus that “If you don’t try, you can’t fail.” Which does seem somewhat backward, but it’s definitely out there. I often don’t blog because I’m scared that people might disagree with what I have to say, or probably more accurately, that no one will read it. Low blog stats or the most depressing thing for a writer. (Okay, maybe not the most depressing! But it still sucks.)

I don’t suffer from writer’s block, I suffer from fear. When I sit down to write, what stops me isn’t not knowing what to write (though my brain often tries to convince me that’s true.) I always outline my stories and know where they are going. It’s to do with the fact that I’m worried that it will be crap.

This all reminds me of a panel I went to at a convention, entitled “Fear and Writing” (Or something along those lines). It was hosted by Emma Newman (@emapocalyptic), who I believe was a teacher. One sentence she said then has stuck with me ever since: “Give yourself permission to write shit.” Which is probably one of the most important pieces of advice a writer can receive.

It’s okay to write crap, you can improve it. You can’t improve what isn’t there, no matter how awesome it might be in your head.

There are two types of writers “pantsers” (see: flying by the seat of your pants) or outliners. Both work fine if you can convince yourself to write and just write, then come back and edit it later, polishing it until it is as good as it deserves to be.

I do know of writers who “close edit” while they write, which is fine. It works for them, and they have learnt how to work that way in what I can only assume is a pretty exhausting and time consuming manner.

However if you find yourself sitting in front of a blank screen, convinced that you don’t know where the story goes. “Give yourself permission to write shit”. I dare say once you’ve got that first draft it will be better than you expected. Besides, you can always get out that red pen and start turning it into the masterpiece you envisaged.

I’ll leave you with an analogy. I always like to use sculpture as a defining point of art: A sculptor can chip away at stone and make a fantastic piece of art, but he can’t sculpt if he doesn’t have any stone.

Now I really should get back to writing that novel, huh?

Thanks for reading!

Oh, The Horror!

So I guess I can finally talk about this now that SFX #250 is out. About two issues ago (it might have been three, I can’t remember!) they advertised a competition to write a flash fiction piece of no more than 1,500 words. It was a competition to win a selection of signed Darren Shan Zom-b books, but they’re not really my thing. It did, however, catch my eye as a good incentive to try writing something different. I wouldn’t say I’ve ever written anything that fit within the horror genre before, especially not about zombies.

To improve as a writer I’ve really been pushing myself to try writing in different styles and genres, so why not write a zombie story?

Sadly, I didn’t win the competition. I have no idea where I can, but I thought I’d wait until the issue was out until I posted it up for everyone to see. The title is a play on the saying ‘The reality is better than the dream’. I often have zombie related dreams (does anyone else also ‘suffer?’) and that was my direct inspiration for this piece. A nightmare may be bad, but I’m sure the reality would be far, far worse. Any way, here it is for your reading (dis)pleasure…

Reality is Worse than the Dream

by Michael J. Hollows

The wood cracked and splintered under my feet as I slipped again. The twin ends of the plank crumbled and fell as I chocked back a start of fear. I had thought I was safe up here, away from them, but I had been too confident, too complacent, too slow. Nothing was safe any more, they would always find me, no matter how much I ran.

I pushed myself up from my hands and knees and carefully propelled myself across, as the distant groaning grew louder.

Always the groaning. Why did they do that? They were dead, or undead, at least that’s what we’d been told. So why did they always groan? What kind of long-dead body function created that horrible keening noise that haunted my thoughts. Even when there were none of them around, I could still hear the sound, a phantom image pressing into my skull.

Jessica was calling to me from the window, screaming at me to hurry up. I reached for her hand, but I was too far away. I looked down at the ground and my vision swam, I never did like heights. This was a stupid idea.

‘Run, John. Run you fool!’

She never understood, I was too weak. With a grunt I pushed against the wooden boards and ran further, but I was too slow. With a sickening jolt, the boards cracked again and all resistance disappeared.

Time slowed interminably. I saw it all, even though it happened in an instant.

I was falling.

The wind, slow as it passed me, hummed in my ears and I expected any moment now to fall into the grasping, clawing hands of those groaning beasts. Jessica screamed again.

I tried to right myself, but the distance was too small and I hit the ground with a thump that knocked the wind from my lungs. My back burnt with pain and I felt like blacking out, but I had to get up, to run.

I could feel the broken, bloody finger nails about to claw at my skin and I shuddered, my back eliciting another jolt of pain.

Nothing happened.

Did I dare open my eyes? The moans were too distant, and as I opened my eyes and my vision returned to normal, pushing back the pain, I was alone.

‘Bloody, bastard zombies,’ I raged, daring to shout the words that everyone left unspoken. The movement made my head throb in pain and my vision swam again. I looked up to the window and Jessica was gone, I hadn’t noticed the cessation of her screaming, my world was a sea of pain and terrible noises, one less didn’t make much difference.

The problem now, is that the shelter would presume me dead, and no one would come looking for me. Why bother? I would have to try and find my own way back.

It was her damned idea to climb over the roofs, even though I warned her. I may not be good with heights, but that wasn’t the point. In this part of town, after all the rain fall, the planks we’d placed were rotting. She was light, she could get across, and I wasn’t. Now I was here, lying on my arse, seconds away from doom.

I pushed myself up from the concrete and looked around for any signs of life, or unlife for that matter. I was in an alleyway between two buildings. Neither had any access, just a wall of impenetrable red-brown brick. To get anywhere I would have to leave the alley and go out into a more open area. The prospect didn’t exactly excite me. For the time being I was safe here, but I couldn’t stay in the alley indefinitely. For a start I would need food soon. That was what had brought us out on this insane foray. A foolish idea, we were pretty set as we were. We just got greedy.

I tested my legs to see how much mobility I had and everything hurt. Pain shot up my spine and down my legs, but I would be dead if I stayed here much longer. I looked around the alley to see if there was anything to use as a weapon, but couldn’t see anything. I searched under some boxes, wet and mulching, and pushed things around until an iron bar rolled free with a clang.

It wasn’t much, and it wasn’t my particular weapon of choice, but it would do in a bind and I was in a bind. I hefted it, testing the weight and took a few practice swings. The trick was to remove the head and I was fairly confident I could put enough force behind it.

I moved towards the end of the alley and it presented me with a view of the town. It had once been fairly prosperous, but now the houses and shops were boarded up, or ransacked. Family cars lay haphazardly, with their windows smashed and bodywork dented.

The undead milled around the ruined landscape, shuffling along with no sense of direction or purpose. They hadn’t noticed me yet, so I edged my way out, around the corner of the end terrace. I took careful footsteps, despite being dead, their hearing was ridiculously sensitive. I swear they could hear you breathing from a few metres away.

I took another step and an unnoticed can skittered away, clanging against an overturned bin.

Damn!

I had been too busy watching the zombies to pay attention to where I put my feet.

The nearest zombie, once a young man, wearing the remains of a black t-shirt and jeans, tilted its head in my direction and snarled as it saw me. I couldn’t think of it as a he anymore, that snarl was something feral, animal, dead.

It started shuffling in my direction, bringing with it that horrible groaning, keening sound, and the stench of putrefying flesh and decay. The smell made me want to gag and I dry-retched as it came closer.

Others spotted me as soon as the first one had and joined the attack.

The way to my right was clear, and I could flee, but I was rooted to the spot, terrified and indecisive. All I could do was bring up the iron bar and wave it threateningly at my attackers. They didn’t notice, and didn’t care, I was just food to them. That insatiable urge to snack on human flesh. What brought that about? And was it just humans?

I swung the iron bar at the first zombie, the one that snarled in me in that unfriendly way, and its head snapped back with a sickening crunch. It didn’t cry out or scream in pain, but kept stumbling on in my direction. I smacked it again, feeling encouraged by the weight of the bar. The blow finally removed its head. I expected blood to spurt from the wound, but it had none left. The stench of decay grew stronger, and the body tottered where it stood, but the beast finally collapsed to the ground, really dead this time.

I swung and another skull cracked, and another, but still they came. With each attack I grew more tired, and they wouldn’t stop, nothing fazed them. They just had that urge to destroy. I should have run, but now I was pinned. I was trying to move, but they kept catching up with me. I was always too slow.

The wave of zombies lightened slightly as another fell at my feet. The putrid smell of necrotising flesh abated slightly and was replaced by a more familiar perfume. It was a heady scent of rose petals and honey. I had no idea why it reminded me of those things, but it always did.

I swung the iron bar in fury and another zombie collapsed. I turned and tried to run away, but on the backswing the bar got caught on something. I yanked and it stayed firmly stuck. I looked back at it and a pale hand, with signs of dying flesh, gripped it.

It had my weapon!

It was unexpected, but I could easily drop it and continue my escape. Something kept me there. This beast barely made a sound, compared to the others, only a faint mumble. I looked up into its face, a dead face, but one I knew well.

Jessica’s face.

Everything finally added up, with a sense of understanding that sucked the blood from my limbs with a feeling like I’d been punched in the stomach. She had been alone after I fell; had she tried to save me, or had she fled. Either way, she had become one of them. It made me feel sick.

Her grip on the bar was tight, a remainder of her will. She hadn’t yet fully turned.

But I turned and ran, leaving her with the bar, and with them. There was nothing I could do for her now except to run and to remember her.

Always running.

Well, thanks for reading.

As usual, feel free to comment.

I’ve been busy, write?

Well, look at that, it’s been ages since I made a blog post. I don’t really have any excuses except for that one that everyone always has ‘I’ve been busy’. Well, I have, but I really should have updated this blog more. I guess another reason that I had no updates is because I had no writing exercises to post from my masters course as the first year has now come to an end.

I spent most of May being very busy, coming towards the end of the first year of the course. As part of Liverpool’s ‘Writing on the Wall’ literary festival, they held a ‘Pulp Idol competition’, and I was encouraged to enter by the Master’s course leader. It was a completely nerve-wracking experience. I may stand up in front of a group and talk on a daily basis, but when it comes to reading out my own work it’s completely different. No matter how much I tried to convince myself I would be okay and it wasn’t too different to lecturing, I still got nervous. In the end I think it went quite well, I got up, read well and, I believe, answered the questions from the panel of judges well, but unfortunately I didn’t make it through. In fact, no one that had entered that heat from my class got through, which is disappointing. I did continue to follow the rest of the competition, going to the next heat and final, and I was pleased when my good friend Rob Knipe came runner up in the competition. Look out for his name as he’s now in contact with some agents and with any luck there will be some well written, hilarious sci fi and fantasy books coming to your shelves soon.

The rest of may I spent frantically trying to get ready for the end of the first year of the course. As per usual we had an assignment due. I used mine as an excuse to get the first part of a novel I am writing about the Great War done. It was a great idea at first, a hugely rich period of time and I definitely feel I have a story to tell (more about that in the future. I don’t want to give too much away now do I?), but I was somewhat naive to the sheer amount of research I would need to do. Of course I was aware of the fact of research and I had already been reading about the subject before I had the idea for the novel, but when I wrote something I had to make sure it was correct. The first scene is also set in Liverpool before the war, so I had to make sure that the feel and surroundings were correct. Everything I read unearthed more questions and more lines of research, and as usual with research it grew larger and larger over time. Thankfully I was able to get a edited draft in, and it’s in a state I’m quite happy with. It’s no means perfect, and there will definitely be some factual errors that till need ironing out, but it’s a start and I feel it’s quite compelling. Hopefully it will see the light of day.

So what else have I been doing that has kept me so busy? Well, amongst all that I was learning to drive. I had taken two tests when I was 18, but the examiners in Eastbourne, where I lived at the time, were the most grumpy people I have ever met (which is saying something for Eastbourne) and I failed them both for silly little reasons. So I gave up until now. I had forgotten how much time it took up, not just physically, but also mentally. Anyone that says it’s just two hours a week is underestimating. I may have had one hour lessons the first time, I can’t exactly remember, but two hours are intense. I had to repass the theory test, so that required preparation and the closer I got to the practical test the more nervous I became, and the less I could concentrate on anything else. Thankfully, on the 5th June I passed and I now sit here with a shiny pink driving licence (now to get a car…). But I have to make a note, I couldn’t have done it without the excellent tuition of Autonomy Driving School. If you’re learning near Liverpool then I thoroughly recommend Jan.

After passing, I then spent the entirety of the week, when not at work, recording guitars for the Lazarus Syndrome album. I’m a bit behind on this as everyone else (bar the vocals) has done their part. But, I’ve been busy, right? We all could do with a few more hours in the day. If you want more info on that check us out on Facebook.

So, that’s what I’ve been up to. I hope to have more updates for you soon. I’m currently waiting on someone to get in touch with me on a very important project, but I can’t really talk about that yet. I’m off to write…

Thanks for reading.