Goodbye for Now!

Goodbye for Now has now been out for one week in ebook and audiobook! It still doesn’t quite feel real, but thank you to everyone who has bought it so far, and those who have left reviews.

There have been some great reviews coming in, but it would really mean a lot of me if you could leave a review – they make a huge difference to whether a book sells. There’s also something to do with algorithms, which I don’t quite understand, but I do enough to know that in this situation more is more.

You can pick up your copy here: https://t.co/Sg5mNMH1pW

It has also been on a Blog Tour this week, which you can see here:

GoodbyeForNow_BlogTour

Thanks again!

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Review – Ninefox Gambit by Yoon Ha Lee

I am trying to work my way through the Arthur C. Clarke award and Hugo award Shortlists before their award ceremonies at the end of this month and the start of next respectively. It’s quite a task, and I’m already a little bit behind. I will probably never get through them in time, which is a shame as I am entitled to vote for the Hugo, but it is a noble effort.

As I’m trying to do some reviews, both to get my mind in PhD setting, and to provide some content for this website, the best thing to do is review these as I go along.

I’m sure I will return to posting about writing and some writing advice soon.

For this week I thought I would talk about Ninefox Gambit by Yoon Ha Lee, published by Solaris. I’ve seen this posted everywhere on social media, and it has quite a striking cover, so I’ve wanted to read it for a while. It was handy that it happens to be on both the Arthur C. Clarke and Hugo shortlists.

The first thing I noticed is that the opening is quite clumsy and there is a lot of exposition, trying to bring the reader into the world immediately. Exposition is a necessary and often important trope of science fiction, but it has to be done properly. It felt like reading a history text book for this particular world. I almost didn’t continue, it was that hard going. However, I’m someone that has to get to the end of the story whether I want to or not. My friend, and fellow writer, Reece has a 50 page limit where if it doesn’t catch him within the first 50 pages he moves onto another book. I’m 99% sure he would not have read past 50 pages for Ninefox Gambit, but I’m kinda happy I did.

While the description is nice the sense of being in the midst of a battle isn’t there. The character has time to stop and tell us about the different calendars and formations that their people use, but it makes it feel like there is a real disconnect between the action and description. There’s a lot of tell, but not so much show. The only description we get of the enemy that they’re fighting is that they are like the main character’s species, but alien. Not all that helpful, or really mental-image forming. It’s clear it’s a well thought-out world, but the technique isn’t great for getting that across to the reader.

I found the rhythm of the prose a bit jarring as almost every sentence had an interjection. “Nothing he kept in the office would intimidate Kujen, anyway, not the paintings of ninefoxes with their staring tails, not the lack of visible weapons, or the pattern-stones board with its halfway game, or the randomly selected images of still life.” I understand trying to have a narrative voice, but this isn’t one that’s particularly easy to enjoy. However, once the exposition is largely out of the way we start to see more of the character.

It could have started from chapter 3 as this is where the character and setting really start to come out and blossom into something that the reader can engage with. There is still some info-dumping, in an almost autistic way (I’m not sure how the reader is supposed to remember all the different signifiers), but it is much more from the character’s point of view, more natural, and the prose feels tighter for it.

In the middle of chapters there are often letters that the heretics send to one another. This are a nice touch, and it’s a decent framing device. It serves to give a lot more context than to the world that the main character is fighting against, and why they are doing what they’re doing. .

The relationship between Cheris (the main character) and Jadeo is by far the most interesting part of the novel, and really what this novel is about. It’s when the main character starts to really become a character rather than just a blank mathematical all-obeying nothing. While the dialogue can be a bit too much at times – chapters are often dialogue between the two without much else happening – it helps place the two characters, or rather give them character.

The fighting bits once the setting finally gets to the fortress (there’s a long and rather unnecessary setup) are good. They portray the common soldier quite well, and they often have more actual character traits, and are more engaging than the main character herself. These sections are much more compelling, and as a reader I want to follow the soldiers and what happens to them. They give a truer understanding of the world. It made me think of this quote by Orson Scott Card:

“Anyone who knows anything about the military will tell you, the commanders of ships and armies don’t have many interesting adventures. They’re mostly […] sending out the orders to the people who do the physically dangerous work.” (Scott Card, 1990)

While I don’t always agree with this point, I think it’s relevant here.

I like the use of flashbacks towards the end of the novel. Without trying to give too much away there is a clever device to it, and they really start to show you Jadeo’s character. The only downside is that it shows again how blank the main character, Cheris. It’s partly the nature of the fact that she belongs to the Kel clan, which as far as I can tell are brainwashed soldier class. However she does have independent thought, but none of it is compelling enough to really care about her.

Then again, the more you read this novel the more it’s about Jadeo than Cheris.

Overall, the novel is an interesting critique of a fascist regime (or perhaps of the author’s Korean background – I don’t know enough about Korea to say for sure), against democracy, but when the regime is so mind bogglingly complex that you don’t understand it, it’s hard to find empathy. (How on earth can technology be based on a Calendar system?!) I’m fairly mathematical, to the point that I can teach it, but this idea just seems bizarre and frustratingly complex.

You may think that I didn’t like the novel, and sure there is a lot that could be improved. I did spend up to page 300 not wanting to read the sequel, but then I read the ending, and I can’t help but feel that this is a set up for a much more interesting sequel.

Perhaps the author has got over the problems of technique and style in the second book, and the clever world and setting will come to the fore. I will be picking it up at some point.

Thanks for reading.

Bibliography

Lee, Y.H. (2016) Ninefox Gambit. Solaris Books.

Scott Card, O (1990) How to Write Science Fiction & Fantasy. Writer’s Digest Books.

 

How to Write When You’re Not Writing

Okay, so today’s post is a day late. No, it’s not because I spent ages trying to think of a pun for the title. As you can see I failed in that anyway. No, it was was to do with the fact that I was away at Download Festival in Donington Park all weekend. I fully intended to write a post when I got home yesterday, but energy and time escaped me. So, you can have it today instead. Aren’t I kind to you?

Today’s blog is in a way about Download Festival. Not directly as such, but more what happens when things like festivals, conventions, and other events get in the way of your writing. If you’re an aspiring writer then you probably will be, and should be, attending all sorts of conventions and events to meet fellow writers, agents, and publishers. Things like writing retreats are great to get away and put pen to paper. But what if the event you’re attending isn’t conducive to writing? What if it’s something like a festival where you are stuck in a field for days, cut off from the internet, and horror of horrors, having fun? *gasp*

Well, I would say that this is where ‘thinking’ comes in. Yes, it sounds silly, but it’s something I’ve talked about before. There is a lot more to writing than just typing words on a page. There’s research, planning, and plotting. All of which I’ve covered in previous blogs.

When I’m not by the computer, and even when I’m not carrying a notepad (this isn’t very often, but sometimes I forget it), I spend a lot of time thinking about my story. This can be absolutely anything to do with your story, but it’s a good idea to sometimes take some distance from the page and to just think about it. As I’ve said before before you start writing you need to know certain things about your story and characters.

A writer is always writing.

Right now, as I type this, I’m thinking about a few plot points of the novel I’m currently working on. Because to be fully immersed in it, to be able to write it well, it can never leave you.

I find it useful at the very least to run through dialogue. This can often be tricky to write, and young/inexperience writers often try and cram too much information into dialogue. It needs to be natural. Just sit somewhere and listen to how people talk. Most of what they’re saying is in what they’re not saying.

So, what I’ll do is run through the dialogue in my head, before I’ve even written it. What would that character say in that situation. No that doesn’t sound right, try again. Yes, that’s what they’re trying to say, but this is what they’re actually saying. By the time it gets to the page it’ll feel more ‘real’. As far as you’re concerned those characters have already had that conversation, you’re not making it up on the spot any more.

Dialogue isn’t the only think that you can think through. This weekend, I spent a bit of time, on the bus between Nottingham and Donington Park, thinking about the hierarchies in my novel. Who represents the main organisation, and what are their job roles? This all works towards having a workable, relatable world, even if it is science fiction. By thinking through this, it also brought up relationships between characters: if that was so and so’s job role, then actually they would treat so and so like this…

In short, there is so much that you can be doing, when you don’t have a chance to actually write prose, that will benefit your story. Try not to beat yourself up about not ‘writing’ and realise that actually what you are doing is ‘writing’, just not the physical side of it. I’m not saying drift off and waste time daydreaming and never get you’re writing down. But if you can’t write, then thinking through dialogue, characters, setting, or scenes can help you when you come back to the computer and that blank page that you left behind.

Thanks for reading, and if you liked what I have to say, or even disagree with it please comment below.

How to right a blog?

No, it’s not a typo. I’ve been thinking a lot lately about how to write a blog post, particularly as I write here on my personal blog, and on The Brush and Boltgun. What makes a good blog? What should you talk about? Why would anyone want to read it?

I think I’ve spent a lot of time in the past really planning out a blog post and trying to have a particular message, or piece of advice across. While that’s probably necessary for something like Brush and Boltgun, which is about the hobby, this blog is to showcase my skills as a writer and keep people up to date with what I’m doing.

As I’ve talked about before, planning and writing a blog can take up a lot of time. Time which I would rather spend writing stories, or working toward my PhD.

For a story, novel, short story, whatever format it may take, planning can be really important. Today I’ve been working on the plot outline for a submission I’m about to make. It can be quite tricky, but that time spent in preparation can pay dividends later on. It definitely helps me to think about things in the story I wouldn’t normally talk about.

But what is a blog if not just a log? This space should be for me to talk to you, my reader. Planning it out can be useful, but I think sometimes I just need to take off that handbrake and type. Sometimes you just need to put your thoughts down on the page.

So I think from now on, that’s what I’m going to do: tell you what I’m thinking.

Today, as I said, I’ve been planning a novella for a submission. I don’t want to tell you too much about that yet, but I will do soon. (I often keep things quite, because I have a slight superstition that when I tell people abut projects they fall through.) But it is a publisher I have submitted to before. However, last time they said they liked my writing, but that it was too similar to something they already published. I take that as encouragement, and this time I hope that not only is the writing good, but it’s suitably different, and interesting, for them to publish. I have had successful submissions before (although not all of them have then come to fruition – once accepted there is still some way to go to be published) so fingers crossed!

Tomorrow is my last day on a contract as a lecturer. That might be quite a shock to some of you. But with my health, I have decided to spend more time on my PhD (which I am supposed to be doing full time anyway), and make sure that I do the best possible work on it.

In order to pay the bills I will still be doing some freelance lecturing. Although, I am on the look out for more freelance work. If you know anything that might be suitable for me, particularly freelance writing or editing then please do get in touch.

I think that will do for now. I’ll be back next week with a further update, and perhaps a book review.

As always, thanks for reading!

 

Objection and ME

I’m annoyed. Annoyed at myself mainly, but also annoyed at this condition I suffer from. (Last week I published a post about ME, which you can read here.)

As part of my MA in writing I set to writing a World War One novel. There were two main reasons for doing this. The first was that I have always had a love for history, and learning the lessons of the past to contextualise where we are today. As a teenager, I visited the battlefields of the Somme and Ypres. The graves and memorials set off something in me, something that I can only describe as a longing to understand “why”?

The second reason for writing the novel is that I wanted to take myself out of my comfort zone of science fiction and fantasy and take advantage of the advice and guidance available on my Masters.

The more I researched the setting the more I saw how much Liverpool was linked to the war, and how much it was shaped by it. Everything around me held some link to the war. There were also several Liverpool regiments that fought in the bloodiest battlefields of the Great War. There were so many stories that needed to be told. I’d also watched a Sky one show called ‘Chickens’ about the conscientious objectors, those that refused to fight in the First World War, and it struck me that even a hundred years later these people were considered to be cowards. It infuriated me, and I decided to put a conscientious objector in my novel; the soldier’s brother.

Through drafting it became more and more obvious that both brothers had a story to tell, and through their contrasting stories would show the greater horror of The Great War.

I’m annoyed because last May (2016) I finished the full manuscript of the novel. (The first part was heavily edited as part of my portfolio work for my MA), and I was fairly happy to start sending it out to agents.

I’m annoyed because I then got very ill. I had the worst sinus infection I have ever had, and begun to feel like I did before I was first diagnosed with ME. I’ve only recently started to get back on my feet.

I’m annoyed because I’ve been sending it out to agents recently, but I’m worried that they will think I only wrote this novel to ride on the interest and popularity of the centenary of the First World War, which to me was merely a coincidence for the reasons I have mentioned earlier. I’m also worried that because it is already 2017 and a publishing cycle usually takes about two years (or so I believe?), that agents/publishers won’t take a risk because they think that it will miss the centenary of the end of the war, and the resultant interest.

I’m also annoyed because the film Hacksaw Ridge came out of left field and told the story of a ‘conchie’ in the second world war. It’s a different story, as conchies in WWI arguably had to go through a lot more, but it’s still a concern that people may feel this novel was written due to that. (I wish I could write 130,000 words that quickly!)

I hope that someone will pick it up. It was a very important story to write, and an important story to tell. I genuinely believe people will gain something from reading it. It would be a shame for it to sit in my drawer for the rest of my days.

If you know someone who may be interested, or are interested yourself, please get in contact. I will be more than happy to hear from you!

Writing with ME

If you’ve read my previous blog posts, you will know that I often get annoyed at myself for not blogging enough. Okay, I’m quite busy, but having a more regular blogging presence and readership is useful to show publishers. I’m fairly sure when that when I query agents they will look for me online, and it doesn’t look great when my last post on here is a couple of months old.

However, I don’t talk about it much because I don’t want to be ‘that guy’, but I suffer from a condition called CFS/ME. (Here’s an interesting link on the symptoms). As Friday was ME/CFS awareness day, I wanted to talk about how it affects my writing and explain why my blog isn’t as active as I would like.

One of the main ways of coping with ME is pacing. It’s something that I’ve done quite naturally since I was diagnosed with ME in 1999. I usually know my limits and when I can do something cognitive, or when I just need to sit and think. Since I referred myself to the local clinic last year after having a relapse, this has become even more important.

I think this is one of the reasons I naturally turned to writing. I’ve always loved stories, and I enjoy telling stories. A writer (I think it was Gav Thorpe) once said to me that a writer is always writing, whether they are putting pen to paper or not.

Even if I’m having a bad day, health wise, I can sit and think about my plot, character or setting. A lot of the planning gets done on these days, and it’s always good to plan out as much of your novel as possible before writing the actual prose. This allows me to feel quite productive, even if the physical novel or short story isn’t actually increasing in word count.

I would love one day to write a book about ME itself, but we’ll see.

Of course having mentioned this, you can perhaps understand why I don’t blog as much as I, or maybe you, would like. If I feel up to putting figurative pen to paper then I would much rather be writing the actual stories themselves.

However, I have a plan. Rather than writing one post on the day that it needs to be posted, I’m going to try and plan ahead and schedule posts. Here’s hoping I can actual fulfil this.

What I’d love to know is what kind of stuff you would like to read?

Feel free to ask me writing questions, and I will answer them as soon as possible.

Thanks for reading.

To blog, or not to blog?

Yes, it seems I’m officially out of clever titles. I may have even used this one before, but any excuse to poorly paraphrase Shakespeare is okay in my book! (The academic in me really wanted to put a citation then.)

I’m annoyed with myself because I haven’t posted a blog in a few weeks. I promised myself that I would do a regular blog and try to build up my readership – you guys. But I’ve been busy – sure that’s everyone’s excuse. Trying to keep up with a part-time academic job, and a full-time PhD isn’t easy, but I should be able to find time to write a little blog, right? I’d hope so, and I’m definitely going to try harder, even if it’s just a book of the week post so you can hear what I’m reading at the moment.

The other reason I haven’t blogged is because I haven’t asked my students to in a few weeks. They’ve been too busy with assessments and it wouldn’t have been fair to make them do a blog too. They’re too busy…

I want to ask you a few questions. I will do some proper research on this, but I want a few opinions first to get a rough idea. (Feel free to comment below)

How important is a regular blog post, or is it better to wait for good content/ideas? Is it good to write a regular post so that people know when to expect it?  When should that be?

I’m trying to work out how to manage this blog, and I want to know how people interact with blogs. Such as how long a decent post should be?

I’ve made a short survey that you can fill out to help me with this, if you have time: Blogging Survey


I’m also looking at increasing my freelance workload. (After complaining about being busy? I know…)

So if you’re a student and you want sometime to check through your work for you and check the content (no promises about grading!) or just to edit/proofread, or if you’re an aspiring author and you want some critique on your writing/some help, then please get in touch. We can work out what you need and sort out an appropriate way of payment.

If this sounds like you, then please send me an email and we can sort something out!


Book of the Week

Children of Time – Adrian Tchaikovsky

So, I’ve finally got to last year’s Arthur C. Clarke award winning novel. I was going to wait a bit to read this as I’ve got a few things on my reading list that I really want to read, but then I got a few recommendations for this in a matter of days.

I’m now 150 pages in (which may sound like a lot, but it’s only a quarter of its 600 pages), and I’m really enjoying it. It’s nice to pick up a sci fi book that feels fresh and pulls you along for the ride. Adrian is typically a fantasy writer and this is his first science fiction book. It reads like a fantasy writer writing sci fi, but that’s not a criticism. The world building is so strong and so believable that it can only be written by someone who has written fantasy. A common pitfall, and one that I am guilty of, with sci fi is to assume that you can make everything up. But you must absolutely understand how your world works, in as much detail as possible.

Adrian provides that detail, but unlike a lot of sci fi authors he doesn’t hit you over the head with it with long exposition, but rather intertwines it expertly into the narrative.

The other thing that I really like, and it was so subtle it took me about 80 pages to notice, is that both the civilisations represented in the novel are represented by a different tense. The humans are a typical third person past tense, which feels natural. Then the aliens (no spoilers!) have a third person present tense narrative. A subtle difference when kept to different chapters, but a striking one when you realise what it means.

I’m looking forward to seeing how this technique pans out, and how it helps the story.

That’s all for now. Thanks for reading, and please get in contact/leave a comment below!